It's Ted the Bellhop's (Tim Roth, Pulp Fiction) first night on the job...and the hotel's very unusual guests are about to place him in some outrageous predicaments. It seems that this evening's room service is serving up one unbelievable happening after another. Also featuring Marisa Tomei (Cyrus), Four Rooms is a wild night of highly original comedy entertainment you'll enjoy...without reservations.This unbearable quartet of stories was written and directed by hot filmmakers Quentin Tarantino (Pulp Fiction), Robert Rodriguez (El Mariachi), Allison Anders (Gas Food Lodging), and Alexandre Rockwell (In the Soup), which only proves that even the smart guys can really blow it sometimes. The anthology is linked by the hotel in which all the events are taking place, and by Tim Roth as a bellboy flitting from scene to scene. Nobody overcomes the insufferable air of self-congratulation that permeates this exercise in forced hipness. With Bruce Willis, Madonna, Lili Taylor, Ione Skye, Jennifer Beals, and Antonio Banderas. --Tom Keogh Don't miss the fun in this hilariously sexy comedy that has Antonio Banderas (THE MASK OF ZORRO), Madonna (EVITA), and a sizzling all-star cast checking in for laughs! It's Ted the Bellhop's (Tim Roth -- PULP FICTION) first night on the job ... and the hotel's very unusual guests are about to place him in some outrageous predicaments! It seems that this evening's room service is serving up one unbelievable happening ... after another! Also featuring Academy Award(R) winner Marisa Tomei (1992 Best Supporting Actress, MY COUSIN VINNY), FOUR ROOMS is a! wild night of highly original comedy entertainment you'll enj! oy ... w ithout reservations!This unbearable quartet of stories was written and directed by hot filmmakers Quentin Tarantino (Pulp Fiction), Robert Rodriguez (El Mariachi), Allison Anders (Gas Food Lodging), and Alexandre Rockwell (In the Soup), which only proves that even the smart guys can really blow it sometimes. The anthology is linked by the hotel in which all the events are taking place, and by Tim Roth as a bellboy flitting from scene to scene. Nobody overcomes the insufferable air of self-congratulation that permeates this exercise in forced hipness. With Bruce Willis, Madonna, Lili Taylor, Ione Skye, Jennifer Beals, and Antonio Banderas. --Tom Keogh 
Nathan LeBeau believes few women look at the Native American man beneath the filthy work clothes and hard hat. He's kept past liaisons casual-a fact his sister shared, hence Tate's sexy proposition of wanting a hands on demonstration of his sexpertise. But in truth, he's tired of relationships based solely on sex. His goal of proving he's not completel! y hopeless in matters of the heart is second only to his dream of expanding his business.
What happens when Tate desires no-holds-barred sex and Nathan favors a good old-fashioned romance?
A battle of wills ensues.
And Tate is willing to get down and dirty to get what she wants.
Warning, this title contains the following: steamy, explicit sex told in contemporary, graphic language.
Nathan LeBeau believes few women look at the Native American man beneath the filthy work clothes and hard hat. He's kept past liaisons casual-a fact his sister shared, hence Tate's sexy proposition of wanting a hands on demonstration of his sexpertise. But in truth, he's tired of relationships based solely on sex. His goal of proving he's not completely hopeless in matters of the heart is second only to his dream of expanding his business.
What happens when Tate desires no-holds-barred sex and Nathan favors a good old-fashioned romance?
A battle of wills ensues.
And Tate is willing to get down and dirty to get what she wants.
Warning, this title contains the following: steamy, explicit sex told in contemporary, graphic language.
Model-actress Saffron Burrows plays the researcher; Thomas Jane pulls double-duty as shark ex! pert and action hunk; Samuel L. Jackson's the corporate sponsor who chooses the worst time for an Aquatica tour; and rapper LL Cool J is nicely cast as Aquatica's cook and comic relief. Michael Rapaport, Jacqueline McKenzie, and Stellan Skarsgård round out the cast, most of whom are turned into shark food as the makos turn Aquatica into a floating junkyard. Harlin takes devilish pleasure in providing sudden, unexpected shocks--no small feat in such a derivative thriller--and as a series of action set-pieces, Deep Blue Sea never disappoints. It's inevitable that Burrows should end up in her underwear like Sigourney Weaver in Alien, but even then the movie offers a credible reason for the strip-down; that Deep Blue Sea can be simultaneously ridiculous and sensible is just another one of its shlocky charms. --Jeff ShannonSearching for a cure to Alzheimer's disease a group of scientists on an isolated research facility become the bait as! a trio of intelligent sharks fight back.
Genre: Fea! ture Fil m-Action/Adventure
Rating: R
Release Date: 3-FEB-2004
Media Type: DVDWith a voracious trio of mako sharks wreaking havoc, Deep Blue Sea dares to up the ante on Jaws, but director Renny Harlin trades the nuanced suspense of Spielberg's 1975 blockbuster for the trickery of the digital age. In other words, why build genuine terror when you can show ill-fated humans getting torn into bloody chunks? The aforementioned makos have been lab rats in an effort to harvest a miracle cure for Alzheimer's disease from the brains of sharks, but the research has an unfortunate side effect: the sharks get smarter, and they're determined to break out of Aquatica, the deep-sea complex where they've been penned.
Model-actress Saffron Burrows plays the researcher; Thomas Jane pulls double-duty as shark expert and action hunk; Samuel L. Jackson's the corporate sponsor who chooses the worst time for an Aquatica tour; and rapper LL Cool J i! s nicely cast as Aquatica's cook and comic relief. Michael Rapaport, Jacqueline McKenzie, and Stellan Skarsgård round out the cast, most of whom are turned into shark food as the makos turn Aquatica into a floating junkyard. Harlin takes devilish pleasure in providing sudden, unexpected shocks--no small feat in such a derivative thriller--and as a series of action set-pieces, Deep Blue Sea never disappoints. It's inevitable that Burrows should end up in her underwear like Sigourney Weaver in Alien, but even then the movie offers a credible reason for the strip-down; that Deep Blue Sea can be simultaneously ridiculous and sensible is just another one of its shlocky charms. --Jeff ShannonSamuel L. Jackson, Michael Rapaport, Thomas Jane, Suffron Burrows and LL Cool J star in the 1999 thriller DEEP BLUE SEA! This hi-def Blu-ray includes a commentary track by director Renny Harlin, Featurettes, Deleted Scenes, and more!With a voracious trio of mako! sharks wreaking havoc, Deep Blue Sea dares to up the ! ante on Jaws, but director Renny Harlin trades the nuanced suspense of Spielberg's 1975 blockbuster for the trickery of the digital age. In other words, why build genuine terror when you can show ill-fated humans getting torn into bloody chunks? The aforementioned makos have been lab rats in an effort to harvest a miracle cure for Alzheimer's disease from the brains of sharks, but the research has an unfortunate side effect: the sharks get smarter, and they're determined to break out of Aquatica, the deep-sea complex where they've been penned.
Model-actress Saffron Burrows plays the researcher; Thomas Jane pulls double-duty as shark expert and action hunk; Samuel L. Jackson's the corporate sponsor who chooses the worst time for an Aquatica tour; and rapper LL Cool J is nicely cast as Aquatica's cook and comic relief. Michael Rapaport, Jacqueline McKenzie, and Stellan Skarsgård round out the cast, most of whom are turned into shark food as the makos turn Aquati! ca into a floating junkyard. Harlin takes devilish pleasure in providing sudden, unexpected shocks--no small feat in such a derivative thriller--and as a series of action set-pieces, Deep Blue Sea never disappoints. It's inevitable that Burrows should end up in her underwear like Sigourney Weaver in Alien, but even then the movie offers a credible reason for the strip-down; that Deep Blue Sea can be simultaneously ridiculous and sensible is just another one of its shlocky charms. --Jeff Shannon
One of Charles Bukowski's best, this beer-soaked, deliciously degenerate novel follows the wanderings of aspiring writer Henry Chinaski across World War II-era America. Deferred from military service, Chinaski travels from city to city, moving listlessly from one odd job to another, always needing money but never badly enough to keep a job. His day-to-day existence spirals into an endless litany of pathetic whores, sordid rooms, dreary embraces, and drunken brawls, as he makes his bitter, brilliant! way from one drink to the next.
Charles Bukowski's posthumous legend continues to grow. Factotum is a masterfully vivid evocation of slow-paced, low-life urbanity and alcoholism, and an excellent introduction to the fictional world of Charles Bukowski.
Rossamund is now the personal servant - the factotum - of the Branden Rose, the most renowned monster-hunter in all of the Half-Continent. But despite the Rose's power and influence as a Peer of the Empire, powerful forces move against them both, intent on capturing Rossamund and destroying Europe in the process. This final volume of The Foundling's Tale is full of the suspense and lush world building that have made D. M. Cornish one of the most avidly watched modern fantasists.
In their indie sensation The Puffy Chair, writer/directors Mark and Jay Duplass used the retrieval of a piece of furniture to explore the relationship between a close-knit trio. Their studio follow-up represents something both fresh and familiar. Not to be confused with the children's book of the same name! , Baghead retains their emphasis on character over plot mechanics, but this time they infuse their humorous approach with horror overtones. Matt (Ross Partridge), Chad (Steve Zissis), Catherine (Elise Muller), and Michelle (Greta Gerwig, who appears with Mark Duplass in Hannah Takes the Stairs) work as extras in Los Angeles. Matt convinces them to accompany him to his family cabin to write a script in which they all get to star. As they collaborate, it becomes apparent that Chad has eyes for Michelle and that Matt and Catherine have been an on-and-off thing for years. The screenplay becomes an excuse to organize their personal and professional lives, until Michelle spots a man with a brown paper bag on his head skulking in the woods. Is he a manifestation of the emotions roiling between the quartet, a psychotic killer, or a friend playing a cruel trick? Baghead turns into a frisky take on The Blair Witch Project, except the Duplass Brothe! rs have more than thrills in mind, since it takes a spooky dud! e to rem ind these self-absorbed actors about the importance of friendship. The concept may be slight and the execution rudimentary, but the makers of Baghead have devised an unexpectedly poignant romp. --Kathleen C. Fennessy
Amazon.com
What does one make of a movie whose plot revolves around second-rate actors who scare each other by wearing bags on their heads? This conundrum and more are exploited to strong effect by young directing team Mark and Jay Duplass, in their low-budget, grade Z cult comedy, Baghead. This follow up to their debut effort, The Puffy Chair, stars two couples who head to their parents’ cabin in an attempt to make their own horror film free from the constraints of the film industry. Brothers, Matt (Ross Partridge) and Chad (Steve Zissis), host bimbos Michelle (Greta Gerwig) and Catherine (Elise Muller) on a weekend adventure that is less than intellectually stimulating. As sexual tensions increase, brown paper ! bags are busted out and the characters seek revenge upon each other by pretending to be masked peeping toms. This meta-narrative of a movie about the making of the movie is further confused when the bunch suspects that there is an extra baghead on the scene, a really psychotic one. A few actually scary moments add gusto to this film that mostly feels like a po’ man’s rendition of Blair Witch Project, with its hand-held camera stylings. Highlights throughout involve Chad, the nerdier, uglier brother who manages many funny lines and boosts the humor bigtime. That Baghead is a fairly terrible film, with slow, moronic dialogue and long scenes in which little or nothing happens, may well be intentional. It’s impossible to judge. Baghead is so ripe with irony that it bags the idea that it’s cool to strive towards making a fine film, and the story gives up on trying to be good before it even tries. The characters start washed-up and stay washed-up, as ! does the movie. But this strange resignation that makes Bag! head awful is also what makes it conceptually unique; the Duplass brothers did, after all, complete the film and release it. One wonders why directors bother making a movie that presumes itself worthy of wearing a baghead? This is Baghead’s virtueâ€"it left me feeling as if I had a bag over my head, dumb for missing some bit of subversive genius. --Trinie Dalton
Filmmakers Mark and Jay Duplass have written a celebrity blog for us to promote their new film, Baghead. 
I’m still not quite sure. When I look back, what we should have done is clear… we should have made another relationship movie to cash in on Puffy’s success. But, we were compelled to make Baghead, so we did it. And then something really interesting happened. We discovered that we are hopelessly and helplessly ourselves on set. For example, even if something terrifying was happening in the horror plot, we couldn’t help training the camera on all of the little personal dynamics happening among the 4 lead characters, just like we did on The Puffy Chair. No matter how eerie ! or cool-looking our lighting got, we were infinitely more obse! ssed wit h the chubby guy whose advances were being rejected by the hottie girl.
About a week into filming, we realized we had something VERY different on our hands. We had a horror movie shell… “guy with bag on head comes to get 4 people in a cabin in the woods.†We all know this set-up, right? Not too original. But, we were making a highly sensitive relationship dramedy inside of this horror film because, in the end, that’s what Jay and I know how to do best and that’s what we love showing.
So, basically, we started panicking. How do you make a movie work that’s scary, funny, and (ultimately) endearing and touching as we understand the nature of our desperate, sweet, tragically flawed lead characters? The answer was… I hope we don’t @&*# it up.
On week 2, we happened to catch a glimpse of the film Saw on TV, and it became clearer to us how Baghead could be a really interesting film for this time frame in cinema. ! Saw is great in its own right, but it’s mean, it’s gory, and it’s not really scary. Somehow, the crazy sound design, gore, and effects, took the film further and further away from being actually scary. Whereas, with Baghead, we somehow stumbled into something genuinely frightening, with our $50,000 budget, no sound f/x, no score, no make-up… just a ridiculous paper bag and the question of “who the hell is under that bag?†So, we started to feel smart. Confident. Inspired in new ways. We even waxed philosophical about how brilliant we were to “come up with his concept†(that we totally lucked into, btw)…
On week 3, we finished the shoot and all looked at each other a little shell shocked. What did we just do? Is this movie even gonna work? Cut to a year later. We’re opening the film at the Sundance Film Festival and every buyer is calling us, making insanely inflated offers, asking us how we came up with such a brilliant, gen! re-smashing concept.
I guess it kinda comes down t! o the ol d adage our dad used to tell us… “I’d rather be lucky than good.â€
--Mark & Jay Duplass
The book has three heroes: Paul Brenner and Cynthia Sunhill of the army's Criminal Investigation Division and Capt. Ann Campbell, found dead with her underpants around her neck on the firing range at Fort Hadley, Georgia. Brenner and Sunhill are lowly warrant officers, but as investigators they can theoretically arrest their superiors--as long as their case is airtight. This ups the tension level, as does the fact that Brenner and Sunhill once had an adulterous affair.
The chief problem, though, is too many suspects. Capt. Campbell, the daughter of the general who runs the base, is literally a poster woman! for the New Army, a West Point grad and Gulf War hero who pos! ed in a life-size recruitment poster. It's pinned up on her basement wall--and when the sleuths touch the poster it swings back to reveal a hidden playroom stocked with sex toys and videos of many army guys in pig masks and the captain in high heels. She was a high-IQ "two percenter"--and Brenner finds that two percenters often wind up on his desk as homicide suspects. Why is this one a victim? It has something to do with the collected works of Nietzsche on her bookshelf, corruption in high places, and the rag and bone shop of the heart.
This is one racy read, and it crackles with authenticity. DeMille is a Vietnam veteran who does for military justice what John Grisham does for civilians. --Tim Appelo Here is an intriguing and sophisticated murder mystery of an upstanding military officer - the base commander's daughter - who's been leading an unsavory double life.
When a professional military woman with a pristine reputation is found raped and murdered, a pre! liminary search turns up certain paraphernalia, and sex toys that point to a scandal of major proportions, The chief investigator is reluctant to take the case when he learns that his partner will be a woman with whom he had a tempestuous affair and an unpleasant parting. But duty calls and intrigue begins when they learn that several top-level people may have been involved with the "golden girl" - and many have wanted her dead.
It's Nelson DeMille at his best - exciting, suspenseful and highly provocative.Long before the John Travolta film of The General's Daughter (which the author extols in the foreword), Nelson DeMille's seventh mystery was the breakout hit of his career. The rapid-fire dialogue and scenes are cinematic, and the storytelling puts most movies to shame.
The book has three heroes: Paul Brenner and Cynthia Sunhill of the army's Criminal Investigation Division and Capt. Ann Campbell, found dead with her underpants around her neck on the! firing range at Fort Hadley, Georgia. Brenner and Sunhill are! lowly w arrant officers, but as investigators they can theoretically arrest their superiors--as long as their case is airtight. This ups the tension level, as does the fact that Brenner and Sunhill once had an adulterous affair.
The chief problem, though, is too many suspects. Capt. Campbell, the daughter of the general who runs the base, is literally a poster woman for the New Army, a West Point grad and Gulf War hero who posed in a life-size recruitment poster. It's pinned up on her basement wall--and when the sleuths touch the poster it swings back to reveal a hidden playroom stocked with sex toys and videos of many army guys in pig masks and the captain in high heels. She was a high-IQ "two percenter"--and Brenner finds that two percenters often wind up on his desk as homicide suspects. Why is this one a victim? It has something to do with the collected works of Nietzsche on her bookshelf, corruption in high places, and the rag and bone shop of the heart.
This is on! e racy read, and it crackles with authenticity. DeMille is a Vietnam veteran who does for military justice what John Grisham does for civilians. --Tim Appelo Here is an intriguing and sophisticated murder mystery of an upstanding military officer - the base commander's daughter - who's been leading an unsavory double life.
When a professional military woman with a pristine reputation is found raped and murdered, a preliminary search turns up certain paraphernalia, and sex toys that point to a scandal of major proportions, The chief investigator is reluctant to take the case when he learns that his partner will be a woman with whom he had a tempestuous affair and an unpleasant parting. But duty calls and intrigue begins when they learn that several top-level people may have been involved with the "golden girl" - and many have wanted her dead.
It's Nelson DeMille at his best - exciting, suspenseful and highly provocative.James Maurice Gavin left for war! in April 1943 as a colonel commanding the 505th Parachute Inf! antry Re giment of the 82nd Airborne Division-America's first airborne division and the first to fight in World War II. In 1944, Slim JimGavin, as he was known to his troops, at the age of thirty-seven became the 82nd's commanding general-the youngest Army officer to become a major general since the Civil War. At war's end, this soldier's soldier had become one of our greatest generals-and the 82nd's most decorated officer.Now James Gavin's letters home to his nine-year-old daughter Barbara provide a revealing portrait of the American experience in World War II through the eyes of one of its most dynamic officers. Written from ship decks, foxholes, and field tents-often just before or after a dangerous jump-they capture the day-to-day realities of combat and Gavin's personal reactions to the war he helped to win. And provide an invaluable self-portrait of a great general, and a great American, in war and peace.The book's more than 200 letters begin at Fort Bragg in 1943 and continue ! to December 1945, as Gavin came home to lead the 82nd at the head of the Victory parade in New York. This correspondence constitutes the majority of Gavin's private wartime letters, but except for rare appearances in regimental newsletters, it has never before been published. In her Introduction, Epilogue, and Notes, Barbara Gavin Fauntleroy gives a privileged glimpse of the private man. Edited by Gayle Wurst, the book features historical overviews by Starlyn Jorgensen, a preface by noted Gavin biographer Gerard M. Devlin, and a foreword by Rufus Broadaway, Gavin's aide-de-camp.When seventeen-year-old heiress Averie Winston travels with her guardian to faraway Chiarrin, she looks forward to a reunion with her father, who is a commanding general, seeing her handsome fiancé Morgan once more, and exploring the strange new country. What she finds is entirely different. Although the Chiarizzi appear to tolerate the invading army, rebels have already tried to destroy them; ! Morgan is not the man she thought he was; and she finds herse! lf falli ng in love with Lieutenant Ket Du’kai, who himself comes from a conquered society. Can the irrepressible Averie remake herself in this new world? Sharon Shinn’s newest romance has an epic sweep, piquant humor, social commentary, and love to spareâ€"just the thing when you want to lose yourself in another world.
From the cradle to college, tell your daughters the truth about life before they believe the culture’s lies.
For mothers with girls newborn to eighteen, Five Conversations You Must Have with Your Daughter is simply a must-have book. Youth culture commentator Vicki Courtney helps moms pinpoint and prepare the discussions that should be ongoing in their daughters' formative years.
To fully address the dynamic social and spiritual issues and influencers at hand, several chapters are written for each of the conversations, which are:
1. You are more than the sum of your parts
2. Don’t be in such a hurry! to grow up
3. Sex is great and worth the wait
4. It’s OK to dream about marriage and motherhood
5. Girls gone wild are a dime a dozen—dare to be virtuous
The book is linked to online bonus features offering invaluable tips on having these conversations across the various stages of development: five and under, six to eleven, twelve and up.
Olivia, Kelly, Christopher, Jason, and Eva have one thing in common: They're addicts. Addicts who have hit rock bottom and been stuck together in rehab to face their problems, face sobriety, and face themselves. None of them wants to be there. None of them wants to confront the truths about thei! r pasts. And they certainly don’t want to share their darkest secrets and most desperate fears with a room of strangers. But they'll all have to deal with themselves and one another if they want to learn how to live. Because when you get that high, there's nowhere to go but down, down, down.Clean presents the revolutionary health program that Uruguayan-born Alejandro Junger, MD, director of integrative medicine at Lenox Hill Hospital in New York City, has developed over years of practice. Beginning with his own personal experience, Junger leads us through the steps of restoring and rejuvenating our bodies and minds with resources that we’ve always had inside us but very often neglected to use. Junger offers a bleak diagnosis of a world that has filled our bodies with toxins. We have come to accept our bothersome health problemsâ€"such as allergies, restless nights, anxiety, indigestion, extra weight, acne, head colds, and virusesâ€"as givens. We look to over-the-counter! medication to alleviate our daily ailments, a practice that o! nly perp etuates chronic health issues instead of curing their causes. Junger steers us away from self-medicating and claims instead that our health problems can be remedied if we restore our bodies to their full, natural potential. The program is designed for people who live busy lives and find themselves all too often succumbing to toxic fast food diets and poor sleeping and exercise habits. Junger gives the reader ample information and guidance in each chapter of the book, and includes multiple easy-to-prepare and healthy recipes as an appendix. Written in clear, concise, and accessible prose, Clean provides us with the tools to empower ourselves and to take a refreshing, thoughtful look at the way we live today.
Beyond Enchanted
 Disney Princesses on DVD |  Paperback |  Soundtrack |
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Bobbi and Bob Cat are! the best of friends. When their hometown of New Orleans was struck by Hurricane Katrina, many lost everything. But not Bobbi and Bob Catâ€"they still had each other. Only by staying together could they survive. This is the story of their remarkable friendship.
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