Ghostbusters [Blu-ray]

• Condition: New
• Format: Blu-ray
• AC-3; Dolby; Dubbed; Subtitled; Widescreen

Bill Murray, Dan Aykroyd, Harold Ramis, Sigourney Weaver. The blockbuster comedy about a team of quasi-scientists who establish a ghost-exterminating company. 1984/color/105 min/PG.Dan Aykroyd and Harold Ramis wrote the script, but Bill Murray gets all the best lines and moments in this 1984 comedy directed by Ivan Reitman (Meatballs). The three comics, plus Ernie Hudson, play the New York City-based team that provides supernatural pest control, and Sigourney Weaver is the love interest possessed by an ancient demon. Reitman and company are full of original ideas about hobgoblins--who knew they could "slime" people with green plasma goo?--but hovering above the plot is Murray's patented ironic view of all the action. Still a lot of fun, and an obvious model for sci-fi comedies such as Men in Bl! ack. --Tom Keogh

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The Brave One (Widescreen Edition)

• ?Why don?t they stop me?? Erica Bain wonders. Bain, a popular N.Y radio host, watched her fianc? die and nearly lost her own life to a vicious, random attack. Now she discovers a stranger within herself, an armed wanderer in the urban night, out for vengeance and at war with her own soul. Two-time Academy Award winner Jodie Foster, as Erica, joins Oscar nominee Terrence Howard, as a determined cop

'Why don't they stop me?' Eric Bain wonders. Bain, a popular N.Y radio host, watched her fianc‚ die and nearly lost her own life to a vicious, random attack. Now she discovers a stranger within herself, an armed wanderer in the urban night, out for vengeance and at war with her own soul. Two-time Academy Award winner Jodie Foster, as Erica, joins Oscar nominee Terrence Howard, as a determined cop hot on her trail. Erica's future is uncertain, but one thing is not: The Brave One is a high- tension ! thriller that packs a visceral and emotional punch.Neil Jordan's somber The Brave One is a lot of things. A reflective movie about a crime victim's sense of dislocation and isolation from her own life following a harrowing trauma, the film will strike a chord with a lot of people who have known violence. The Brave One is also a provocative drama about the nature of justice, a theme explored endlessly in American movies that typically find law enforcement wanting. In Jordan's film, however, the conflict between instinctive vigilantism and legal protocols is approached with more deliberateness and complexity than usual. Finally, despite its seriousness of purpose, The Brave One, to a certain extent, is drearily tethered to the old atrocity-and-revenge genre, bumping along to the familiar, Death Wish-like rhythms of an avenger seeking successive conflicts with bad guys he or she can blow away.

Somewhat at cross-purposes, The Brave One sta! rs Jodie Foster in a shattering performance as Erica Bain, a p! opular e ssayist on a public radio station in New York. In love and engaged to David (Naveen Andrews), a doctor, Erica and her fiancé are brutally attacked one night by a gang of thugs. David is killed but Erica survives, only to find herself a stranger in her own skin, facing down her fears by shooting violent criminals.

With the city riveted by her anonymous actions, Erica becomes an object of curiosity for a police detective (an excellent Terrence Howard) disillusioned by his own struggles to protect the innocent from truly evil men. Jordan's previous films (The Crying Game, Breakfast on Pluto) resonate with The Brave One's most interesting angle, i.e., that each of us possesses a hidden element in our identities that comes out in extreme circumstances, making us wonder who we really are. It's all excellent food for thought, but the film squanders much of its significance by thrusting Erica into numerous, outlandish situations in which her only alternative! is to put a bullet in a bad guy. The result is a smart film tediously structured like a disposable B movie. --Tom Keogh

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Appaloosa

• In Marshal Virgil Cole and deputy Everett Hitchs line of work, you shoot quick, you shoot clean, and you reload straightaway. No remorse. No looking back. No feelings. Feelings get you killed. Paired as rivals in A History of Violence, Ed Harris (who also directs, produces and co-scripts) and Viggo Mortensen stand together as longtime friends and for-hire peacekeepers Cole and Hitch in this charac

In Marshal Virgil Cole and deputy Everett Hitchs line of work, you shoot quick, you shoot clean, and you reload straightaway. No remorse. No looking back. No feelings. Feelings get you killed. Paired as rivals in A History of Violence, Ed Harris (who also directs, produces and co-scripts) and Viggo Mortensen stand together as longtime friends and for-hire peacekeepers Cole and Hitch in this character-driven, bullet-hard Western based on Robert B. Parkers novel. Blood will spill in the town called Ap! paloosa.The Western has been an endangered species, on and off, for something like 40 years now. Welcome to Appaloosa, Ed Harris's film of the Robert B. Parker novel--first because it exists at all, but even more because Harris as star, director, and co-screenwriter (with Robert Knott) has managed to bring it to the screen with no hint of fuss or strain, as if the making of no-nonsense, copiously pleasurable Westerns were still something Hollywood did with regularity. Harris plays Virgil Cole, one of those ace gunfighter-lawmen whose name need only be mentioned to make a saloon go still. Cole and his shotgun-toting partner Everett Hitch (Viggo Mortensen) accept a commission to enforce law and order in the New Mexico town of Appaloosa. That basically means protect it from rapacious rancher Randall Bragg (Jeremy Irons, looking right at home on the range), who murdered the previous town marshal like swatting a fly. Life becomes complicated when, about the time Bragg h! as been jailed to await trial, a fancy-dressing piano player c! alling h erself Mrs. French (Renée Zellweger) steps down off the train. Cole commences to have feelings, and as he ruefully reminds Hitch, "Feelin's can get ya killed."

In his second directorial effort (following the 2000 biopic Pollock), Harris takes his cue from novelist Parker's often deadpan-comic touch, allowing action and character to accumulate in accordance with an overall eccentric rhythm. (The film's main disappointment is that it would benefit from more running time to allow things to stew a bit longer, especially in the second half.) The character work is choice, from the moment Tom Bower, James Gammon, and Timothy Spall step into view as Appaloosa's civic leaders; the director's father Bob Harris contributes a cameo as a mellifluous-tongued circuit judge, and an age-thickened Lance Henriksen turns up midfilm as gunman Ring Shelton, trailing affability and menace. In collaboration with Dances With Wolves cameraman Dean Semler, Harris sets up shots an! d scenes in such a way that we often see into and out of Appaloosa's various buildings simultaneously, to excellent dramatic and atmospheric effect, and there's a thrillingly vertical dynamics to a scene involving a train at an isolated water stop. The action is lethal when it needs to be, but never dwelt upon. "That was over quick," Hitch observes after one gun battle. Cole's response says it all: "Everybody could shoot." --Richard T. Jameson

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Flight of the Red Balloon

• Inspired by Albert Lamorisse'sic 1956 Academy Award®-Winning short*, Flight of the Red Balloon is the latest masterwork from director Hou Hsiao Hsien (Three Times, Millennium Mambo). Expanding on the key elements of Lamorisse's short - a young boy, a red balloon and Paris - Hou weaves the tale of a boy, Simon (Simon Iteanu) dealing with the increased fragility of his loving yet preocc

Inspired by Albert Lamorisse's classic 1956 Academy Award®-Winning short*, Flight of the Red Balloon is the latest masterwork from director Hou Hsiao Hsien (Three Times, Millennium Mambo). Expanding on the key elements of Lamorisse's short - a young boy, a red balloon and Paris - Hou weaves the tale of a boy, Simon (Simon Iteanu) dealing with the increased fragility of his loving yet preoccupied mother, Suzanne (Academy Award® - Winner Juliette Binoche** of The English Patient, Caché). When a Taiwanese film ! student, Song (Fang Song), is hired to help care for Simon, a unique extended family is formed - utterly dependent on each other yet lost in separate dreams mirrored by a delicate, shiny red balloon.

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Hometown Legend

• ISBN13: 9780446679268
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

HOMETOWN LEGEND - DVD MovieJERRY B. JENKINS PRESENTS THIS INSPIRATIONAL, STAND-UP-ON-THE-BLEACHERS AND CHEER STORY OF A LOSING HIGHSCHOOL FOOTBALL TEAM THAT GIVES A TOWN THAT HAD LOST FAITHSOMETHING TO BELIEVE IN.Little Big League, Little Giants, Hometown Legend, Surf Ninjas

Features include:

•MPAA Rating: NR
•Format: DVD
•Runtime: 420 minutes
Athens City, Alabama, is a town that lost its heart the day the high school football team lost the state championship and suffered a tragedy. Since that night, the town that once enjoyed superstar status has fallen on hard times. Now, years later, the former coach returns to head up one final s! eason aided by a local who tells the story with a fresh voice. Together, they fight Goliath and learn that love and reconciliation are more important than winning ever could be.The coauthor of the blockbuster Left Behind series inks the appealing, happily-ever-after Hometown Legend, about a small town in severe financial straits and its former championship football team, written in a made-for-the-movies style that will earn author Jerry Jenkins some new fans. There are some likable characters in this yarn. Lonely widower Cal Sawyer is juggling several balls at once: raising his teenage daughter Rachel, helping coach the down-at-the-heels Athens City High football team, and trying to keep the American Leather Football Company from going belly up. He doesn't count on the impact Elvis Presley Jackson will have on the football season--and on his daughter. Bev Raschke, Sawyer's single, 40-something assistant, has her eye on him, but as Sawyer says, "She'! s got two cats, and that's about all I need to know about a ! woman." Romance is inevitable. As the novel unfolds, mostly told in Sawyer's rambling, Southern drawl, we see trouble brewing in his personal life, on the football team, and with the unfolding of Elvis's past. But never fear--there's a happy ending in sight. No loose ends are left dangling, and there's a heartwarming, feel-good wrap-up with a bit of a spin that will satisfy Left Behind aficionados who enjoy a predestined finish to their leisure reading. --Cindy Crosby

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The English Patient: Original Soundtrack Recording

• OST Full Length Audio CD

With unsettling beauty and intelligence, Michael Ondaatje's Booker Prize-winning novel traces the intersection of four damaged lives in an abandoned Italian villa at the end of World War II.The nurse Hana, exhausted by death, obsessively tends to her last surviving patient. Caravaggio, the thief, tries to reimagine who he is, now that his hands are hopelessly maimed. The Indian sapper Kip searches for hidden bombs in a landscape where nothing is safe but himself. And at the center of his labyrinth lies the English patient, nameless and hideously burned, a man who is both a riddle and a provocation to his companionsâ€"and whose memories of suffering, rescue, and betrayal illuminate this book like flashes of heat lightning.Haunting and harrowing, as beautiful as it is disturbing, The English Patient tells the story of the entanglement of four damaged lives in an ! Italian monastery as World War II ends. The exhausted nurse, Hana; the maimed thief, Caravaggio; the wary sapper, Kip: each is haunted by the riddle of the English patient, the nameless, burn victim who lies in an upstairs room and whose memories of passion, betrayal, and rescue illuminate this book like flashes of heat lightning. In lyrical prose informed by a poetic consciousness, Michael Ondaatje weaves these characters together, pulls them tight, then unravels the threads with unsettling acumen.

A book that binds readers of great literature, The English Patient garnered the Booker Prize for author Ondaatje. The poet and novelist has also written In the Skin of a Lion, Coming Through Slaughter and The Collected Works of Billy the Kid; two collections of poems, The Cinnamon Peeler and There's a Trick with a Knife I'm Learning to Do; and a memoir, Running in the Family.Michael Ondaatje’s Booker Prizeâ€"winning best sel! ler lyrically portrays the convergence of four damaged lives i! n a bomb -riddled Italian villa in the last days of the war. Hana, the grieving nurse; the maimed thief, Caravaggio; the emotionally detached Indian sapper, Kipâ€"each is haunted in different ways by the riddle of the man they know only as the English patient, a nameless burn victim who lies swathed in bandages in an upstairs room. It is this man’s incandescent memoriesâ€"of the bleak North African desert, of explorers’ caves and Bedouin tribesmen,
of forbidden love, and of annihilating angerâ€"that illuminate the story, and the consequences of the mysteries they reveal radiate outward in shock waves that leave all the characters forever changed.With ravishing beauty and unsettling intelligence, Michael Ondaatje's Booker Prize-winning novel traces the intersection of four damaged lives in an Italian villa at the end of World War II. Hana, the exhausted nurse; the maimed thief, Caravaggio; the wary sapper, Kip: each is haunted by the riddle of the English patient, the nameless,! burned man who lies in an upstairs room and whose memories of passion, betrayal,and rescue illuminates this book like flashes of heat lightening.


From the Hardcover edition.Haunting and harrowing, as beautiful as it is disturbing, The English Patient tells the story of the entanglement of four damaged lives in an Italian monastery as World War II ends. The exhausted nurse, Hana; the maimed thief, Caravaggio; the wary sapper, Kip: each is haunted by the riddle of the English patient, the nameless, burn victim who lies in an upstairs room and whose memories of passion, betrayal, and rescue illuminate this book like flashes of heat lightning. In lyrical prose informed by a poetic consciousness, Michael Ondaatje weaves these characters together, pulls them tight, then unravels the threads with unsettling acumen.

A book that binds readers of great literature, The English Patient garnered the Booker Prize for author Ondaatje.! The poet and novelist has also written In the Skin of a Li! on, Coming Through Slaughter and The Collected Works of Billy the Kid; two collections of poems, The Cinnamon Peeler and There's a Trick with a Knife I'm Learning to Do; and a memoir, Running in the Family.With ravishing beauty and unsettling intelligence, Michael Ondaatje's Booker Prize-winning novel traces the intersection of four damaged lives in an Italian villa at the end of World War II. Hana, the exhausted nurse; the maimed thief, Caravaggio; the wary sapper, Kip: each is haunted by the riddle of the English patient, the nameless, burned man who lies in an upstairs room and whose memories of passion, betrayal,and rescue illuminates this book like flashes of heat lightening.


From the Hardcover edition.This is an excellent guide to Michael Ondaatje’s best-loved novel. It features a biography of the author, a full-length analysis of the novel, a comparison of the novel to the film, and a great deal more. If you’re ! studying this novel, reading it for your book club, or if you simply want to know more about it, you’ll find this guide informative and helpful. This is part of a new series of guides to contemporary novels. The aim of the series is to give readers accessible and informative introductions to some of the most popular, most acclaimed and most influential novels of recent years â€" from ‘The Remains of the Day’ to ‘White Teeth’. A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question.Winner of 9 Academy Awards® including Best Picture, Best Director (Anthony Minghella) and Best Supporting Actress (Juliette Binoche), THE ENGLISH PATIENT is a "fiercly romantic" (THE NEW YORK TIMES) epic where love knows no boundaries. During World War II, a mysterious stranger (Ralph Fiennes) is cared for by British allies unaware of his dangerous past. Yet, as the mystery! of his identity is revealed, an incredible tale of passion, i! ntrigue and adventure unfolds. Also starring Kristin Scott Thomas, Colin Firth and Willem Dafoe, this powerful motion picture is an experience you will never forget.1. English Patient 2. A Retreat 3. Rupert Bear 4. What Else Do You Love? 5. Why Picton? 6. Cheek to Cheek 7. Kip's Lights 8. Hana's Curse 9. I'll Always Go Back to That Churc 10. Black Nights 11. Swoon, I'll Catch You 12. Am I K. In Your Book? 13. Let Me Come In 14. Wang Wang Blues 15. Convento Di Sant'anna 16. Herodotus 17. Muzsikás-Szerelem, Szerelem 18. Ask Your Saint Who He's Killed 19. One O'Clock Jump 20. I'll Be Back 21. Let Me Tell You About Winds 22. Read Me to Sleep 23. The Cave of Swimmers 24. Where or When 25. Aria 26. Cheek to Cheek 27. As Far as Florence 28. En Csak Azt Csodálom

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Hearts in Atlantis

• Based on a Stephen King novella, the film is set in the small-town Connecticut of 1960 and centers around an 11-year-old fatherless boy, whose life is changed when an eccentric man with a psychic gift boards at his home. Format: DVD MOVIE Genre: DRAMA Rating: PG-13 Age: 085392208128 UPC: 085392208128 Manufacturer No: 22081

Although it is difficult to believe, the Sixties are not fictional:

THEY ACTUALLY HAPPENED.

No matter the format, Stephen King's work is spellbinding because the author himself is spellbound. The first hugely popular writer of the TV generation, King published his first novel, Carrie, in 1974, the year before the last U.S. troops withdrew from Vietnam. Images from that war -- and protests against it -- had flooded America's living rooms for nearly ten years. In Hearts in Altantis, King mesmerizes readers with fiction deeply rooted in the Sixties! , and explores -- through four defining decades -- the haunting legacy of the Vietmnam War.

As the characters in Hearts in Atlantis are tested in every way, King probes and unlocks the secrets of his generation for us all. Full of danger, full of suspense, and most of all full of heart, Stephen King's new book will take some readers to a place they have never been able to leave completely.With his idiosyncratic blend of patrician airs and boyish charm, narrator William Hurt provides a wonderful complement to this wildly imaginative collection of short stories by author Stephen King. Hurt carefully weaves the disparate elements into a cohesive whole, embracing the subtle complexities of each character; one moment a wizened sadness leaks into his voice as a haunted old man, pursued by demons, asks his 11-year-old lookout, "You know everyone on this street, on this block of this street anyway? And you'd know strangers? Sojourners? Faces of those unkno! wn?" Then, in a profound yet almost imperceptible switch, he ! exposes the boy's naive enthusiasm, "I think so." Right about here your neck hairs will stand at attention. Hurt's peculiar vocal style is in perfect pitch to King's dark, surreal vision of growing up amid the monsters of post-Vietnam America. (Running time: 21 hours, 20 CDs) --George Laney Bobby befriends a new lodger in the boarding house where he lives and learns that he has strange powers and is being hunted by people called the lowmen.
Genre: Feature Film-Drama
Rating: PG13
Release Date: 3-FEB-2004
Media Type: DVDFans of The Green Mile and The Shawshank Redemption will feel a similar affection for Hearts in Atlantis, a Stephen King adaptation that again finds the horror writer in more mainstream waters, with a bit of dabbling in the supernatural. When mysterious out-of-towner Ted Brautigan (Anthony Hopkins) moves into the boarding house that 11-year-old Bobby Garfield (Anton Yelchin) shares with his self-i! nvolved mother (Hope Davis), Bobby jumps at the chance to befriend an adult who talks to him straightforwardly. Ted enlists Bobby to read him the newspaper daily--and to keep an eye out for the "low men" bent on capturing Ted, who possesses a strange mind-reading power. Hopkins is in fine form, ably matched by the phenomenal young Yelchin, but director Scott Hicks (Shine) more often than not flattens out the dramatic arcs of the story, despite all the intriguing turns the film takes. Thankfully, though, the schmaltz factor is kept to a minimum, making Hearts in Atlantis a heartfelt coming-of-age drama. --Mark Englehart

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Appleseed Ex Machina [Blu-ray]

• The next installment in the Appleseed franchise, Appleseed: Ex Machina,available on DVD! Produced by John Woo and Directed by Shinji Aramaki,and featuring next generation CG technology, Appleseed: Ex Machina isback bigger and badder! Based on the manga from reknown creator Shirow Masamune, in this movie,Deunan and Briareos are both partners and lovers. As members of ESWAT,the elite forces servi

APPLESEED - Blu-Ray MovieThe next installment in the Appleseed franchise Appleseed: Ex Machinaavailable on DVD! Produced by John Woo and Directed by Shinji Aramakiand featuring next generation CG technology Appleseed: Ex Machina isback bigger and badder!Based on the manga from reknown creator Shirow Masamune in this movieDeunan and Briareos are both partners and lovers. As members of ESWATthe elite forces serving Olympus they are deployed everywhere troublestrikes. The two fighters find their partnersh! ip tested in a new way bythe arrival of Tereus who uncannily resembles Briareos before thewartime injuries that led to his becoming a cyborg. At the same timeOlympus finds itself under a stealth attack . Cyborg terrorism deadlynanotech zealots and rioting citizens are just some of the threats thatDeunan must contend with as she fights to save Olympus.System Requirements:Running Time: 104 minutesFormat: BLU-RAY DISC Genre: SCI-FI/FANTASY/FANTASY Rating: PG-13 UPC: 085391200666 Manufacturer No: 120066Produced by John Woo and directed by Shinji Aramaki, Appleseed Ex Machina (2007) ranks as the most elaborate, stylish, and violent of the three adaptations of Masamune Shirow's manga. When it was released in 1988, the original Appleseed felt like a summary of anime's past, while Akira pointed the way to the future. The second Appleseed (2004), also directed by Aramaki, was an unimpressive motion-capture CG feature that borrowed elements from other ! sci-fi anime. In this latest incarnation, Deunan, Briareos, an! d Tereus of the E.S.W.A.T. team are charged with preserving the peace of the city-state of Olympus, a hi-tech paradise on a largely ruined Earth. Screenwriters Kiyoto Takeuchi and Todd W. Russell have given the story a contemporary twist, adding attacks by "cyborg terrorists" and an effort by the ruler of Olympus to control a world-wide satellite surveillance system. When cyborgs and human launch coordinated attacks on the government headquarters in Olympus, Deunan, Briareos, and Tereus swing into action against a mysterious enemy. The plot has little in common with the earlier films: the Appleseed technology that was at the core of the story isn't even mentioned. The look, tone, and characters in Ex Machina recall Shirow's Ghost in the Shell, rather than the original Appleseed. Not surprisingly, the elaborately choreographed fight scenes reflect Woo's signature style, with slo-mo martial-arts combat, close-ups of falling shells, dynamic camerawork, and all-out ! gun battles. But the weightless movements of the motion-capture characters and the limited rendering of the skin textures gives Appleseed Ex Machina the feel of an extremely elaborate computer game. Despite the limits of the mo-cap technology, Appleseed Ex Machina is a fast-past, take-no-prisoners cinematic adventure that will delight action-movie fans as well as anime lovers. (Rated PG-13: violence, violence against women, profanity, grotesque imagery, potentially offensive religious imagery.) --Charles Solomon

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Hitman Blood Money

• Blood Money system - The cleaner the hit, the more money you receive -- spend it on equipment, weapon upgrades, information and bribing witnesses to reduce your notoriety
• Improved AI makes the game more challenging -- guards will follow blood trails, investigate suspicious items and behavior
• Agent 47 has a number of new moves and can now climb, hide, scale ledges and automatically pass low obstacles
• Customizable weapons - Modify for sound, rate of fire, damage, reload speed, accuracy and zoom
• New gameplay techniques - Distract enemies, make your kills look like accidents, dispose of bodies in various ways, use human shields & plant decoy weapons

HITMAN - DVD MovieIt’s hard not to feel like one has entered a certain dimension of video-game logic while watching Hitman, a lightly enjoyable action-suspense movie indeed based on a popular and bloody game ab! out a mysterious hired gun with a bar-code tattoo on his bald head and a number (47) in lieu of a name. Living like a chaste monk while slipping past borders to kill his targets, 47 (Timothy Olyphant of Deadwood) moves like a determined shark and speaks softly to his contact at the enigmatic "the Organization," which raises cast-off children to become well-paid assassins. Fruitlessly pursued by an Interpol cop (Dougray Scott) who can never get sovereign governments to cooperate, 47 has no trouble slipping in and out of countries to ply his trade. Until, that is, he’s set up to take a fall in Russia by shooting a national leader who is promptly replaced by a lookalike double. Suddenly on the run, 47 has to retrace his steps and formulate a lethal plan for extricating himself from a trap. Caught in the chaos is the lovely Nika (Olga Kurylenko), forced into sex slavery by 47’s new enemies and the one person who seems uniquely qualified to break through 47’s many p! ersonal barriers. Directed by France’s Xavier Gens, Hitma! n fe atures loads of bloody mayhem and unabashed moments of pulp absurdity, such as a scene in which 47 and three other Organization killers agree to fight one another respectfully, then proceed to pulverize each other with swords and fists. As fodder for gamers, however, Hitman is packed with visuals and dramatic moments that seem so odd on the big screen until one realizes they are basically placemarkers for the video-game edition. --Tom Keogh

Beyond Hitman

Hitman Video Games

Hitman Books and Game Guides

More from Timothy Olyphant

Stills from Hitman

Martin Scorsese's The Departed barely touched on his sto! ry. Now radio talk-show sensation, crime reporter, and Boston ! Herald c olumnist Howie Carr takes us into the heart of the life of Johnny Martorano.

 

For two decades, Martorano struck fear into anyone even remotely connected to his world. His partnership with Whitey Bulger and the infamous Winter Hill Gang led to twenty murders... for which Johnny would serve twelve years in prison. Carr also looks at the politicians and FBI agents who aided Johnny and Whitey, and at the flamboyant city of Boston, which Martorano so ruthlessly ruled.

 

A plethora of paradoxes, Johnny Martorano was Mr. Mom by day and man-about-town by night. Surrounded by fast-living politicians, sports celebrities, and showbiz entertainers, Johnny was charismatically colorful--as charming as he was frightening. After all, he was, in the end... a hitman.

 

 

 

Disc 1: Widescreen Feature **Forced Trailers - Alien vs. Predator: Requiem, Hitman Teaser Trailer, Hitman Theatrical Trailer

**In t! he Crosshairs Featurette **Digital Hits Featurette **Instruments of Destruction Featurette **Para-Ordnance P18.9 Featurette **Blaser R93 LRS2 Featurette **M16 Featurette **FN F2000 Featurette **Micro Uzi Featurette **M240 Featurette **Settling the Score Featurette

**Deleted Scenes - Ovie's Pool Scene, Hospital Scene, A Different Train Platform, Udre's Death

**Alternate Ending **Gag Reel

Disc 2: Digital Copy **Portable Digital Copy of HitmanIt’s hard not to feel like one has entered a certain dimension of video-game logic while watching Hitman, a lightly enjoyable action-suspense movie indeed based on a popular and bloody game about a mysterious hired gun with a bar-code tattoo on his bald head and a number (47) in lieu of a name. Living like a chaste monk while slipping past borders to kill his targets, 47 (Timothy Olyphant of Deadwood) moves like a determined shark and speaks softly to his contact at the enigmatic "the Organization," which rais! es cast-off children to become well-paid assassins. Fruitlessl! y pursue d by an Interpol cop (Dougray Scott) who can never get sovereign governments to cooperate, 47 has no trouble slipping in and out of countries to ply his trade. Until, that is, he’s set up to take a fall in Russia by shooting a national leader who is promptly replaced by a lookalike double. Suddenly on the run, 47 has to retrace his steps and formulate a lethal plan for extricating himself from a trap. Caught in the chaos is the lovely Nika (Olga Kurylenko), forced into sex slavery by 47’s new enemies and the one person who seems uniquely qualified to break through 47’s many personal barriers. Directed by France’s Xavier Gens, Hitman features loads of bloody mayhem and unabashed moments of pulp absurdity, such as a scene in which 47 and three other Organization killers agree to fight one another respectfully, then proceed to pulverize each other with swords and fists. As fodder for gamers, however, Hitman is packed with visuals and dramatic moments that ! seem so odd on the big screen until one realizes they are basically placemarkers for the video-game edition. --Tom Keogh

Beyond Hitman

Hitman Video Games

Hitman Books and Game Guides

More Action and Adventure on Blu-ray

Stills from Hitman

Hitman: Blood Money brings back the world's greatest assassin, Agent 47. A series of hits have eliminated a number of assassins from the ICA, Agent 47's contract killing firm. Sensing that he may be the next target, he travels to America where he attempts to carry on with business as usual. That means killing -- a lot of it. New to the world of getting paid for killing? Prepare to become a hitman with an all-new training mode Pathfinder engine provides im! proved tracking and movement with realistic enemy behavior and interaction Soundtrack by BAFTA-winning composer Jesper Kyd

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Tweak: Growing Up on Methamphetamines

• ISBN13: 9781416972198
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

What had happened to my beautiful boy? To our family? What did I do wrong? Those are the wrenching questions that haunted every moment of David Sheff’s journey through his son Nic’s addiction to drugs and tentative steps toward recovery. Before Nic Sheff became addicted to crystal meth, he was a charming boy, joyous and funny, a varsity athlete and honor student adored by his two younger siblings. After meth, he was a trembling wraith who lied, stole, and lived on the streets. David Sheff traces the first subtle warning signs: the denial, the 3 A.M. phone calls (is it Nic? the police? the hospital?), the rehabs. His preoccupation with Nic became an addiction in itself, and the obsessive worry ! and stress took a tremendous toll. But as a journalist, he instinctively researched every avenue of treatment that might save his son and refused to give up on Nic.
Beautiful Boy is a fiercely candid memoir that brings immediacy to the emotional rollercoaster of loving a child who seems beyond help.

Amazon Best of the Month, February 2008: From as early as grade school, the world seemed to be on Nic Sheff's string. Bright and athletic, he excelled in any setting and appeared destined for greatness. Yet as childhood exuberance faded into teenage angst, the precocious boy found himself going down a much different path. Seduced by the illicit world of drugs and alcohol, he quickly found himself caught in the clutches of addiction. Beautiful Boy is Nic's story, but from the perspective of his father, David. Achingly honest, it chronicles the betrayal, pain, and terrifying question marks that haunt the loved ones of an addict. Many respond to addict! ion with a painful oath of silence, but David Sheff opens up p! ersonal wounds to reinforce that it is a disease, and must be treated as such. Most importantly, his journey provides those in similar situations with a commodity that they can never lose: hope --Dave CallananFrom Adonis and images of St. Sebastian to James Dean and Calvin Klein models, beautiful boys have been quietly admired since the beginning of time. While most agree that women have been treated and depicted as sex objects, Germaine Greer's sensational thesis is that the erotic charge of male imagery has been rigorously repressed throughout history. Men and women alike have been blind to the sensuality and flirtatiousness found in images of boys, as well as to the many depictions of female bodies based on the juvenile male-from Michelangelo's female figures to waif like supermodels.

This iconic ideal of male physical beauty is revealed in hundreds of dazzling images by the world's greatest artists and photographers. The Kritios boy, Caravaggio's Love Triumphant,! Larry Clark's Oklahoma City, Nijinsky in "L'Apres-Midi d'un Faune," Cellini's Narcissus, Donatello's David, Thomas Eakins' young swimmers, and many other examples, provide striking evidence that the models of today- with their wide shoulders and narrow hips-echo the boyish ideal.
Nic Sheff was drunk for the first time at age eleven. In the years that followed, he would regularly smoke pot, do cocaine and Ecstasy, and develop addictions to crystal meth and heroin. Even so, he felt like he would always be able to quit and put his life together whenever he needed to. It took a violent relapse one summer in California to convince him otherwise. In a voice that is raw and honest, Nic spares no detail in telling us the compelling, heartbreaking, and true story of his relapse and the road to recovery. As we watch Nic plunge the mental and physical depths of drug addiction, he paints a picture for us of a person at odds with his past, with his family, with his substances, and w! ith himself. It's a harrowing portraitâ€"but not one without h! ope.

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Rodrick Rules (Diary of a Wimpy Kid #2)

• ISBN13: 9780810994737
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Greg Heffley, the kid who made “wimpy” cool, is back in this sidesplitting sequel based on the second installment of the best-selling book series! Having rid himself of the Cheese Touch , Greg enters the next grade with his confidence and friendships intact, and an eye on the new girl in town, Holly Hills . But at home, Greg is still at war with his older brother, Rodrick, so their parents have handed down the toughest “punishment” imaginable â€" forcing the boys to spend quality time with each other. Brothers aren't supposed to get along, so it should come as no surprise that Greg and his older sibling Rodrick fight continuously. However, their mother has a different idea about what the rela! tionship between two brothers should look like, and she writes a column about it for the local newspaper, so she should know. Never one to let nature take its course, Mom tries a variety of strategies to get the boys to bond--everything from the incentive-driven "mom bucks" to punishing them by leaving them home together for the weekend while the rest of the family heads to the water park. The wild party and ensuing chaos that one would expect when two boys are left home alone happens right on schedule, but so does a surprising development in the boys' relationship with one another. Greg pours his every thought about the difficulties of surviving middle school and living with brothers into his journal in this film, which is based on Jeff Kinney's book Diary of a Wimpy Kid: Rodrick Rules. While it's definitely a different experience to see the cartoon stick figures from the book morph into human forms in the live-action film, director David Bowers and actors Zachary G! ordon, Devon Bostick, Robert Capron, and Rachael Harris do a g! ood job of preserving the feel of the book--specifically, how each of the characters is driven by emotion and how they are often overwhelmed by their sense of mental conflict and anguish. Kids frankly state that the Diary of a Wimpy Kid films aren't as good as the bestselling books, but that doesn't mean they don't enjoy the movies or that they won't be clamoring to see them. (Ages 7 and older) --Tami Horiuchi

Whatever you do, don’t ask Greg Heffley how he spent his summer vacation, because he definitely doesn’t want to talk about it.

As Greg enters the new school year, he’s eager to put the past three months behind him . . . and one event in particular. Unfortunately for Greg, his older brother, Rodrick, knows all about the incident Greg wants to keep under wraps. But secrets have a way of getting out . . . especially when a diary is involved.

Diary of a Wimpy Kid: Rodrick Rules chronicles Greg’s attempts to navigate the haza! rds of middle school, impress the girls, steer clear of the school talent show, and most important, keep his secret safe.

 

The highly anticipated sequel to the #1 New York Times bestselling book!

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Canvas Prints of Perfect Aryan Family from Mary Evans

• This 14x11 Canvas Print features an image chosen by Mary Evans. Estimated image size 356x279mm.
• White Sides Photo printed on archival quality canvas. Laminated. Canvas print stretched and hand mounted over thick 1 3/8 inch wooden bars. No frame, Gallery art appearance. Ready to hang
• Image Description: THE FAMILY The perfect Aryan family, a young blond German couple nurturing and educating their five children, with rolling hills in the background
• For any queries regarding this item please contact Mary Evans c/o Media Storehouse quoting Media Reference 4329275
• © Mary Evans Picture Library/weimar Archive

From the producer of the Oscar Award Winning films Platoon and The Last Emperor comes John Daly's THE COUPLE. Based on the true story of a Jewish Hungarian's desperate attempts to save his family from the Nazi death camps. Mr. Krauzenberg (Martin Landau) is for! ced to hand over his vast wealth to the Nazis for the safe passage of his family out of occupied Europe, only to find his two remaining servants are left trapped in a web of deceit and danger. Their only hope for survival relies on the courage of Krauzenberg.Belgium released, PAL/Region 2 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: English ( Dolby Digital 5.1 ), Dutch ( Subtitles ), WIDESCREEN (1.85:1), SPECIAL FEATURES: Interactive Menu, Making Of, Production Notes, Trailer(s), SYNOPSIS: This slow, earnest picture is a minor example of what has become a major genre: the feel-good holocaust picture. Suggested by a program called the Europa Plan, in which wealthy Central European Jews traded their property for their lives and freedom, the film follows Joseph and Rachel Krauzenberg (Martin Landau and Judy Parfitt) as they prepare to leave for Switzerland. Their negotiations with Himmler and E! ichmann play out alongside the terrible anxiety by the title c! ouple, s ervants of the Krauzenberg's who are actually undercover members of the anti-Nazi resistance. In other hands - Alfred Hitchcock's, say, or Roman Polanski - these situations might have generated an interesting mixture of horror, absurdity and intrigue, but in spite of the valiant emoting of a dedicated cast, "The Aryan Couple" feels both inert and confused. ...The Aryan Couple14x11 Canvas Print, White Sides. , PERFECT ARYAN FAMILY. THE FAMILY The perfect Aryan family, a young blond German couple nurturing and educating their five children, with rolling hills in the background. Chosen by Mary Evans. Photo printed on archival quality canvas. Laminated. Canvas print stretched and hand mounted over thick 1 3/8 inch wooden bars. No frame, Gallery art appearance. Ready to hang. This item is shipped from our American lab.

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Friday the 13th (Extended Killer Cut)

• A man in search of his missing sister stumbles across a deadly secret in the woods surrounding Crystal Lake as Texas Chainsaw Massacre redux duo Michael Bay and Marcus Nispel resurrect one of the silver screen's most feared slashers -- machete-wielding, hockey mask-wearing madman Jason Voorhees. The last time Clay heard from his sister, she was headed toward Crystal Lake. There, amidst the creaky

Camp Crystal Lake has been shuttered for over 20 years due to several vicious and unsolved murders. The camp's new owner and seven young counselors are readying the property for re-opening despite warnings of a "death curse" by local residents. The curse proves true on Friday the 13th as one by one each of the counselors is stalked by a violent killer.If you thought a bigger budget and an A-list producer (Michael Bay) would go to Jason's head, well, forget it. The indestructible villain of so many bo! ttom-of-the-barrel shockers isn't about to change his shtick, and the 2009 Friday the 13th proves it. This, the umpteenth sequel (nope, it's not a remake of the origin story) to the original 1980 movie, gives us a clever prologue that manages to fit an entire Jason Voorhees killing spree in a brisk and bloody 20 minutes. Jumping ahead six weeks, the film introduces a carload of clueless teens headed for a weekend at a lakeside cabin, plus a lone motorcyclist (Jared Padalecki) in search of his missing sister (Amanda Righetti). When the "lakeside" happens to refer to Crystal Lake, of course, there can be only one outcome. Cue the hockey mask, and pass the machete. Bay and director Marcus Nispel, who collaborated on the Texas Chainsaw Massacre remake, are surprisingly indifferent to changing up the formula this time, although there's more care taken in building up a few characters, and for once the comic relief (mostly supplied by Aaron Yoo and Arlen Escarpet! a) is pretty funny. You might even regret the slaughter of a c! ouple of these young folk, which is an unusual feeling in Friday-watching. The film's Jason is quite the athletic fellow, and he's assembled an elaborate underground corpse-hiding lair in the vicinity of Crystal Lake. How he's been able to live down there for 30 years (if the film's own timeline is to be believed) and had enough unwitting campers pass by to keep himself entertained is anybody's guess. But if they keep coming, he'll keep slashing. --Robert Horton

Also on the disc
The extended Killer Cut is 106 minutes compared to 97 for the theatrical cut, and it's hard to imagine choosing to watch the theatrical cut if you have a choice. In addition to some more of Amanda Righetti and of Jason, the extra nine minutes is mostly more gore in the gory scenes and more sex in the sexy scenes. If you're squeamish you might not want those things, but if you're that squeamish you probably don't want to watch Friday the 13th in the first place, right? Th! e longer cut will give you more of the stuff that you probably watch this movie for. There's also an 11-minute featurette on the new movie and three deleted scenes (a different version of Jason getting his mask, the police response to the phone call, and a revised climax). --David Horiuchi

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America's Sweethearts

• DVD
• JULIA ROBERTS
• BILLY CRYSTAL

FOR KIKI, BEING THE PERSONAL ASSISTANT TO BEAUTIFUL MEGASTARGWEN ISN'T EASY. IN FACT, IT'S NEARLY IMPOSSIBLE SINCE THE MANOF HER DREAMS IS EDDIE. GWEN'S ESTRANGED HUSBAND. KIKI IS GIVEN THE MONUMENTAL TASK OF HELPING GWEN AND EDDIE MAKE IT THROUGH A PRESS JUNKET ORGANIZED BY PUBLICITY EXEC LEE PHILLIPS.America's Sweethearts is just the kind of romantic froth that makes for pleasant viewing on a lazy, rainy day. While Julia Roberts, John Cusack, and Catherine Zeta-Jones offer high-wattage marquee value, costar and cowriter Billy Crystal reworks Singin' in the Rain for latter-day Hollywood, where estranged superstars Gwen (Zeta-Jones) and Eddie (Cusack) reluctantly promote their latest movie by pretending their messily disputed relationship is still going strong. The studio chief (Stanley Tucci) is desperate for a hit, so he hires ! a seasoned publicist (Crystal) to orchestrate a press junket that will cast everyone in a profitable light. The catch: The director (Christopher Walken) has abducted his own film in an act of artistic extortion, and Gwen's sister and longtime assistant Kiki (Roberts) is the true object of Eddie's desire.

Chaos ensues at the luxury hotel where the junket is scheduled, and America's Sweethearts pokes easy fun at the cynical machinery that keeps Hollywood running. Quotable quips are delivered in abundance, and while Zeta-Jones is readily convincing as a bitchy narcissist, Roberts effortlessly steals the show with her trademark charms. All of which makes America's Sweethearts lightly entertaining, even though it never rises (like Roberts's earlier Notting Hill) to the level of classic romantic comedy, hampered by a script that too often substitutes easy laughs for ripe satirical invention, flashing a phony grin when it should be baring its fangs. --J! eff Shannon

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Beloved

• Toni Morrison
• Beloved
• paperback
• vintage
• 1400033411

(Book Jacket Status: Jacketed)

Winner of the Pulitzer Prize, Toni Morrison’s Beloved is a spellbinding and dazzlingly innovative portrait of a woman haunted by the past.

Sethe was born a slave and escaped to Ohio, but eighteen years later she is still not free. She has borne the unthinkable and not gone mad, yet she is still held captive by memories of Sweet Home, the beautiful farm where so many hideous things happened. Meanwhile Sethe’s house has long been troubled by the angry, destructive ghost of her baby, who died nameless and whose tombstone is engraved with a single word: Beloved.

Sethe works at beating back the past, but it makes itself heard and felt incessantly in her memory and in the lives of those around her. When a mysterious teenage girl arrives, calling he! rself Beloved, Sethe’s terrible secret explodes into the present.

Combining the visionary power of legend with the unassailable truth of history, Morrison’s unforgettable novel is one of the great and enduring works of American literature.In the troubled years following the Civil War, the spirit of a murdered child haunts the Ohio home of a former slave. This angry, destructive ghost breaks mirrors, leaves its fingerprints in cake icing, and generally makes life difficult for Sethe and her family; nevertheless, the woman finds the haunting oddly comforting for the spirit is that of her own dead baby, never named, thought of only as Beloved.

A dead child, a runaway slave, a terrible secret--these are the central concerns of Toni Morrison's Pulitzer Prize-winning Beloved. Morrison, a Nobel laureate, has written many fine novels, including Song of Solomon, The Bluest Eye, and Paradise--but Beloved is arguably her ! best. To modern readers, antebellum slavery is a subject so f! amiliar that it is almost impossible to render its horrors in a way that seems neither clichéd nor melodramatic. Rapes, beatings, murders, and mutilations are recounted here, but they belong to characters so precisely drawn that the tragedy remains individual, terrifying to us because it is terrifying to the sufferer. And Morrison is master of the telling detail: in the bit, for example, a punishing piece of headgear used to discipline recalcitrant slaves, she manages to encapsulate all of slavery's many cruelties into one apt symbol--a device that deprives its wearer of speech. "Days after it was taken out, goose fat was rubbed on the corners of the mouth but nothing to soothe the tongue or take the wildness out of the eye." Most importantly, the language here, while often lyrical, is never overheated. Even as she recalls the cruelties visited upon her while a slave, Sethe is evocative without being overemotional: "Add my husband to it, watching, above! me in the loft--hiding close by--the one place he thought no one would look for him, looking down on what I couldn't look at at all. And not stopping them--looking and letting it happen.... And if he was that broken then, then he is also and certainly dead now." Even the supernatural is treated as an ordinary fact of life: "Not a house in the country ain't packed to its rafters with some dead Negro's grief. We lucky this ghost is a baby," comments Sethe's mother-in-law.

Beloved is a dense, complex novel that yields up its secrets one by one. As Morrison takes us deeper into Sethe's history and her memories, the horrifying circumstances of her baby's death start to make terrible sense. And as past meets present in the shape of a mysterious young woman about the same age as Sethe's daughter would have been, the narrative builds inexorably to its powerful, painful conclusion. Beloved may well be the defining novel of slavery in America! , the one that all others will be measured by. --Alix Wilb! erSt aring unflinchingly into the abyss of slavery, this spellbinding novel transforms history into a story as powerful as Exodus and as intimate as a lullaby. Sethe, its protagonist, was born a slave and escaped to Ohio, but eighteen years later she is still not free. She has too many memories of Sweet Home, the beautiful farm where so many hideous things happened. And Sethe’s new home is haunted by the ghost of her baby, who died nameless and whose tombstone is engraved with a single word: Beloved. Filled with bitter poetry and suspense as taut as a rope, Beloved is a towering achievement.In the troubled years following the Civil War, the spirit of a murdered child haunts the Ohio home of a former slave. This angry, destructive ghost breaks mirrors, leaves its fingerprints in cake icing, and generally makes life difficult for Sethe and her family; nevertheless, the woman finds the haunting oddly comforting for the spirit is that of her own dead baby, never ! named, thought of only as Beloved.

A dead child, a runaway slave, a terrible secret--these are the central concerns of Toni Morrison's Pulitzer Prize-winning Beloved. Morrison, a Nobel laureate, has written many fine novels, including Song of Solomon, The Bluest Eye, and Paradise--but Beloved is arguably her best. To modern readers, antebellum slavery is a subject so familiar that it is almost impossible to render its horrors in a way that seems neither clichéd nor melodramatic. Rapes, beatings, murders, and mutilations are recounted here, but they belong to characters so precisely drawn that the tragedy remains individual, terrifying to us because it is terrifying to the sufferer. And Morrison is master of the telling detail: in the bit, for example, a punishing piece of headgear used to discipline recalcitrant slaves, she manages to encapsulate all of slavery's many cruelties into one apt symbol--a ! device that deprives its wearer of speech. "Days after it was ! taken o ut, goose fat was rubbed on the corners of the mouth but nothing to soothe the tongue or take the wildness out of the eye." Most importantly, the language here, while often lyrical, is never overheated. Even as she recalls the cruelties visited upon her while a slave, Sethe is evocative without being overemotional: "Add my husband to it, watching, above me in the loft--hiding close by--the one place he thought no one would look for him, looking down on what I couldn't look at at all. And not stopping them--looking and letting it happen.... And if he was that broken then, then he is also and certainly dead now." Even the supernatural is treated as an ordinary fact of life: "Not a house in the country ain't packed to its rafters with some dead Negro's grief. We lucky this ghost is a baby," comments Sethe's mother-in-law.

Beloved is a dense, complex novel that yields up its secrets one by one. As Morrison takes us deeper into Sethe's history and her mem! ories, the horrifying circumstances of her baby's death start to make terrible sense. And as past meets present in the shape of a mysterious young woman about the same age as Sethe's daughter would have been, the narrative builds inexorably to its powerful, painful conclusion. Beloved may well be the defining novel of slavery in America, the one that all others will be measured by. --Alix Wilber

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Rocawear Men's R Plus Regular Fit Core Jean, Raw Grey Denim, 34x30

• streamlined through the leg and thigh
• Zipper front

Regular fit 5 pocket

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