Away From Her : Widescreen Edition

• Widescreen

Married for almost 50 years, Grant's (Gordon Pinsent) and Fiona's (Julie Christie) commitment to each other appears unwavering. Their daily life is filled with tenderness and humor; yet this serenity is broken by Fiona's increasingly evident memory loss - and her restrained references to a past betrayal. For a while, the couple is able to casually dismiss these unwelcome changes. But when neither Fiona nor her husband can deny any longer that she is being consumed by Alzheimer's disease, the couple is forced to wrenchingly redefine the limits of their love and loyalty - and face the complex, inevitable transition from lovers to strangers."I'm going," says a lovely, understated Julie Christie, in a heart-wrenching moment of recognition that Alzheimer's is slowly descending on her. "But I'm not gone." Away from Her, the directorial debut of young Canadian actress Sarah Polle! y, allows two themes--the growth of love, and the limits of the mind--to intertwine, uplift, fall, and rise again, throughout its arc. What should be relentlessly depressing is instead a film of great courage, humor, defiance--and a quality that Christie's character, Fiona, calls out in another defining moment: grace.

Away from Her chronicles a love story between Fiona and her longtime husband, Grant, played with bearlike stolidity by Gordon Pinsett, as the couple struggle with the onset and acceleration of Fiona's Alzheimer's disease. Moments of lucidity and wry observation pepper Fiona's decline, and Christie gives an unforgettable performance as a woman who is both ordinary and singular to those whom she's touched. The story is set against a frigid Canadian winter, with fields of snow as a background underscoring the bleakness of Fiona's diagnosis; yet life is constant and surprising, in the call of a meadowlark or the resurrected memory of a skunk lily. A sc! ene of Fiona out for her daily cross-country ski shows Christi! e's gorg eous, sensual face in closeup against the snow, framed by a babushka, reminding the viewer of a similar scene of the decades-younger Christie in Dr. Zhivago. It's impossible not to be touched by the gifts of this extraordinary actress, through the life of this everywoman, whose very presence is shot through with grace. --A.T Hurleydvd

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Disaster 4 Film Collector's Set

• DISASTER 4-DVD SET

OVER THE COURSE OF ONE EVENING, AN UNSUSPECTING GROUP OF TWENTY-SOMETHINGS FIND THEMSELVES BOMBARDED BY A SERIES OF NATURAL DISASTERS & CATASTROPHIC EVENTS.Even within the subgenre of grab-bag comedy, Disaster Movie sets a new bar for free-associative lunacy. To what degree there is a plot, it's vaguely stolen from Cloverfield: A handful of twentysomethings try to rescue someone in a city assaulted by an incomprehensible threat--in this case, falling asteroids. But that's just a thread on which to string a long and increasingly tedious series of gestures towards recent movies (ranging from High School Musical to Enchanted to Sex and the City to Kung Fu Panda) and pop culture figures (Amy Winehouse to Flavor Flav to Dr. Phil to, of course, perpetual punching-bag Michael Jackson). No one over 30 will recognize more than a ! fraction of the movie's references, but the movie's bigger problem is that there are hardly any actual jokes--the filmmakers seem to think that simply alluding to Hancock or Jumper is funny in and of itself... and it just isn't. Disaster Movie will probably appeal to its primary audience of high-school students and repressed frat boys, for whom the mere mention of homosexuality prompts jittery laughter and who find generically pretty girls and studly boys in tight clothing titillating. It's a wasted opportunity; there are moments that, through sheer incompetence and desperation, suggest a surreal stream-of-consciousness. A filmmaker like Luis Bunuel or Federico Fellini could have turned such raw matter into a satirical aria that would genuinely critique a culture that worships Paris Hilton. Instead, we get this. Featuring, as ever, Carmen Electra.--Bret Fetzer


DISASTER MOVIE - DVD MovieStudio: Lions Gate Home Ent. Release Date: 01/06/2009 Run time: 88 minutes Rating: UrSpider-Man, X-Men, and the Fantastic Four will never be the same after this outrageously fun! ny spoof of your favorite comic book movies! Drake Bell (Drak! e & Josh ) stars as a nerdy high school student bitten by a genetically-altered dragonfly. He stumbles hilariously through the process of becoming a crime-fighter and as his new powers grow, so do the laughs. Sara Paxton (Aquamarine) and Christopher McDonald (Spy Kids 2) costar as the clueless damsel in distress and the comically intense super villain, along with Pamela Anderson and Leslie Nielsen. Going from superzero to superhero has never been this much fun! Adolescent fantasy meets sophomoric humor in the latest cuisinart comedy, Superhero Movie. The story of how frustrated loser Rick Riker (Drake Bell of Drake & Josh) becomes the superpowered Dragonfly is largely poking fun at Spider-Man, but there are a handful of digs at X-Men, Fantastic Four, and other Marvel Comics superhuman flicks. What's disappointing is how few of the jokes are specific to the genre--the abundance of gags about urine, feces, horniness, and especially flatulence (long! , drawn-out gags about flatulence) could have been shoehorned into a parody of pretty much anything. The strong point of Superhero Movie is the above-average cast; while there are the obligatory cameos by the likes of Pamela Anderson, the cast is mostly filled out with actual actors like Marion Ross (Happy Days), Christopher McDonald (Thelma & Louise), Brent Spiner (Star Trek: The Next Generation), Jeffrey Tambor (Arrested Development), and Leslie Nielsen, who trots out his trademark deadpan one more time. As Dragonfly's love interest, Sara Paxton (Aquamarine) does a flawless and subtle imitation of Kirsten Dunst's sultry vocal mannerisms. And for fans of Airplane! (the movie that started the whole everything-but-the-kitchen-sink genre of comedy), there's an appropriate cameo by Robert Hays as Rick Riker's father. Superhero is a step above such recent tripe as Date Movie and Meet the Spartans... but sadly! , that's not saying much. --Bret FetzerCRASH LANDING!
In this against-all-odds, high-octane action-thriller starring Antonio Sabato Jr. and Michael Paré, a private flight for a billionaire's daughter and her friends becomes a hellish ordeal when the plane is overtaken by a team of terrorists, plotting to hold the billionairess hostage.

But there is one thing the hijackers didn't count on - Major John Masters (Antonio Sabato Jr.), who is also on board. Within a matter of minutes the situation spirals out of control, resulting in a wounded pilot, several dead, and a severely damaged plane. Now, Masters must somehow land the plane on a small Pacific island despite a category five hurricane if they hope to survive - that is if Captain Williams (Michael Paré) and his team can finish the runway in time...

NATURE UNLEASHED: AVALANCHE
In the Ural Mountains of Russia, transplanted Westerners Thom and Jock Cussler take tourists on adventurous snowmobile rides up and down the slopes. When an! avalanche heads for their party, their quick thinking saves them all, but a village far below is buried completely. In nearby Kirovina, the brothers convince townsfolk to hide in a mine to save themselves. Thom and Jock then risk their lives attempting to rescue survivors trapped under a mountainside nightclub. They must act fast - the air is running out!

NATURE UNLEASHED: EARTHQUAKE
Josh, a respected engineer, travels to Russia to inspect a nuclear power plant. Coincidentally, his ex-wife Rachel works at the facility and lives nearby with their kids. When Josh arrives at the plant, he leads a group of engineers down to the reactor's core to investigate a possible leak when disaster strikes; a catastrophic earthquake of an 8.2 magnitude rocks the Russian countryside.

At the same time, Josh and Rachel's daughter becomes trapped in a crumbled subway tunnel, while back at the plant several fires threaten to cause a meltdown - and an explosion ten ! times the size of Hiroshima...

So begins a race against ti! me as Jo sh and Rachel fight their way into the collapsed train tunnels and nature reveals a final, deadly surprise...another MASSIVE QUAKE!

NATURE UNLEASHED: FIRE
After a dirt biker is injured, Forest Ranger Jake Langford gets the assignment to lead the rider and his group safely out of the forest. But when a mysterious, angry arsonist sets off fires across the park, the group is trapped in a raging inferno...and the way out is through an old abandoned mine that's full of methane gas - which is not only poisonous, but very, very flammable...

Get ready to face nature's fiery fury in this high-octane thrill ride packed with explosive action, pulse-pounding suspense, and incredible special effects!

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Central Station

• Portuguese with English subtitles
• Interactive Menus
• Audio Commentary by Walter Salles, Arthur Cohn, and Fernanda Montenegro
• Talent and Filmographies
• Widescreen format

Two very unlikely souls, a motherless young boy and a lonely retired school teacher become inextricably linked and form an uncommon bond as they venture from the bustling city to Brazil's remote northeast region in search of the boy's father.
Genre: Foreign Film - Portugese
Rating: R
Release Date: 13-JUL-1999
Media Type: DVDIn the opening scenes of Central Station, colorful crowds of Brazilians stream into and out of a Rio de Janeiro train, pushing through doors and windows. You're immediately pulled into the brutal vitality of a nation in motion, setting the tone for a picturesque road movie that charts Brazil's renaissance in a little boy's sear! ch for his father and an old woman's emotional reawakening. When we first meet Dora (Fernanda Montenegro), this frozen-hearted, sour-faced woman is the epitome of immobility: day after day, she sits in the train station selling her letter-writing skills to all comers, but often doesn't bother to mail these precious messages. When a woman who's paid Dora to write a pleading note to her son's long-missing dad gets run over by a bus, the child, Josue (Vinicius de Oliveira), is up for grabs. (The summary execution of a thieving street kid--in longshot--underscores the seriousness of this waif's plight.) After an abortive attempt to sell Josue for a new TV, the aspiring couch potato finds herself reluctantly propelled into an occasionally Fellini-esque odyssey through the hinterlands of Brazil's sertäo, where Dora and her sidekick find unexpected faith and family. Former documentary filmmaker Walter Salles (Foreign Land) mixes magic with realism in ! his appreciation of striking faces and places, but Central! Station is primarily fueled by the tough/tender performances of Montenegro, Brazil's Judy Dench, and de Oliveira, an airport shoeshine boy Salles cast over 1,500 other hopefuls. (Montenegro was nominated for a Best Actress Oscar, and Central Station was in the running for Best Foreign Language Film.) No cloyingly cute child-star, de Oliveira plays Josue as a bracingly idiosyncratic brat. And watching Dora's face and soul slowly, unwillingly unclench as she gets back in motion--and emotion--is potent pleasure, even if Salles's trip does dead-end in soap opera as his Brazilian pilgrim's progress winds down. --Kathleen Murphy

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CliffsNotes on Wharton's The House of Mirth (Cliffsnotes Literature Guides)

• ISBN13: 9780764537165
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

ENDURING LITERATURE ILLUMINATED BY PRACTICAL SCHOLARSHIP

An incisive portrait of New York high society and the somber economics of marriage during the late nineteenth century, Edith Wharton’s The House of Mirth tells the story of beguiling socialite Lily Bart’s ill-fated attempt to find happiness.

THIS ENRICHED CLASSIC EDITION INCLUDES:

• A concise introduction that gives the reader important background information

• A chronology of the author’s life and work

• A timeline of significant events that provides the book’s historical context

• An outline of key themes and plot points to guide the reader’s own interpretations

• Detailed explanatory notes

•! Critical analysis and modern perspectives on the work

• Discussion questions to promote lively classroom and book group interaction

• A list of recommended related books and films to broaden the reader’s experience

Simon & Schuster Enriched Classics offer readers affordable editions of great works of literature enhanced by helpful notes and insightful commentary. The scholarship provided in Enriched Classics enables readers to appreciate, understand, and enjoy the world’s finest books to their full potential."The heart of the wise is in the house of mourning; but the heart of fools is in the house of mirth," warns Ecclesiastes 7:4, and so does the novel by Edith Wharton that takes its title from this call to heed. New York at the turn of the century was a time of opulence and frivolity for those who could afford it. But for those who couldn't and yet wanted desperately to keep up with the whirlwind, like Wharton's charming Lily Bart, it was s! omething else altogether: a gilded cage rather than the Gild! ed Age.

One of Wharton's earliest descriptions of her heroine, in the library of her bachelor friend and sometime suitor Lawrence Selden, indicates that she appears "as though she were a captured dryad subdued to the conventions of the drawing room." Indeed, herein lies Lily's problem. She has, we're told, "been brought up to be ornamental," and yet her spirit is larger than what this ancillary role requires. By today's standards she would be nothing more than a mild rebel, but in the era into which Wharton drops her unmercifully, this tiny spark of character, combined with numerous assaults by vicious society women and bad luck, ultimately renders Lily persona non grata. Her own ambivalence about her position serves to open the door to disaster: several times she is on the verge of "good" marriage and squanders it at the last moment, unwilling to play by the rules of a society that produces, as she calls them, "poor, miserable, marriageable girls.

! Lily's rather violent tumble down the social ladder provides a thumbnail sketch of the general injustices of the upper classes (which, incidentally, Wharton never quite manages to condemn entirely, clearly believing that such life is cruel but without alternative). From her start as a beautiful woman at the height of her powers to her sad finale as a recently fired milliner's assistant addicted to sleeping drugs, Lily Bart is heroic, not least for her final admission of her own role in her downfall. "Once--twice--you gave me the chance to escape from my life and I refused it: refused it because I was a coward," she tells Selden as the book draws to a close. All manner of hideous socialite beasts--some of whose treatment by Wharton, such as the token social-climbing Jew, Simon Rosedale, date the book unfortunately--wander through the novel while Lily plummets. As her tale winds down to nothing more than the remnants of social grace and cold hard ca! sh, it's hard not to agree with Lily's own assessment of hers! elf: "I have tried hard--but life is difficult, and I am a very useless person. I can hardly be said to have an independent existence. I was just a screw or a cog in the great machine I called life, and when I dropped out of it I found I was of no use anywhere else." Nevertheless, it's even harder not to believe that she deserved better, which is why The House of Mirth remains so timely and so vital in spite of its crushing end and its unflattering portrait of what life offers up. --Melanie Rehak

The tragic fall of one of the most heartbreaking characters in American literature, a beautiful socialite who loses her footing in the savage social-climbing world of 19th century New York high society

 

Lily Bart has no fortune, but she possesses everything else she needs to make an excellent marriage: beauty, intelligence, a love of luxury, and an elegant skill in negotiating the hidden traps and false friends! of New York's high society. But time and again Lily cannot bring herself to make the final decisive move: to abandon her sense of self and a chance of love for the final soulless leap into a mercenary union. Her time is running out, and degradation awaits. Edith Wharton's masterful novel is a tragedy of money, morality, and missed opportunity.

Since its publication in 1905 The House of Mirth has commanded attention for the sharpness of Wharton's observations and the power of her style. A lucid, disturbing analysis of the stifling limitations imposed upon women of her generation, Wharton's tale of Lily Bart's search for a husband of position in New York Society, and betrayal of her own heart, transformed the traditional novel of manners into an arrestingly modern document of cultural anthropology. With incisive contemporary analysis, the introduction by a leading scholar of American literature updates this increasingly important work.This collect! ion was designed for optimal navigation on Kindle and other el! ectronic devices. It is indexed alphabetically, chronologically and by category, making it easier to access individual books, stories and poems. This collection offers lower price, the convenience of a one-time download, and it reduces the clutter in your digital library. All books included in this collection feature a hyperlinked table of contents and footnotes. The collection is complimented by an author biography. Table of Contents List of Works by Genre and TitleList of Works in Alphabetical OrderList of Works in Chronological OrderEdith Wharton Biography Novels:The Age of InnocenceThe Bunner SistersThe Custom of the CountryEthan FromeThe Fruit of the TreeThe Glimpses of the MoonThe House of MirthThe ReefSanctuarySummerThe TouchstoneThe Valley of Decision Non-Fiction:Fighting FranceIn Morocco Short Stories Collections:Crucial InstancesThe Descent of Man and Other StoriesThe Greater InclinationThe Hermit and the Wild WomanTales of Men and Ghosts Short Stories:AfterwardThe Angel a! t the GraveAutres TempsThe Best ManThe Blond BeastThe Bolted DoorThe ChoiceComing HomeThe Confessional"Copy" A DialogueA CowardA Cup of Cold WaterThe Daunt DianaThe DebtThe Descent of ManThe DilettanteThe Duchess at PrayerThe EyesExpiationFull CircleThe Fulness of LifeThe Hermit and the Wild WomanHis Father's SonThe House of The Dead HandIn TrustA JourneyKerfolThe Lady's Maid's BellThe Last AssetThe LegendThe LetterThe LettersThe Long RunMadame de TreymesThe Mission of JaneThe Moving FingerMrs. Manstey's ViewThe Muse's TragedyThe Other TwoThe PelicanThe PortraitThe Pot-BoilerThe PretextThe QuicksandThe ReckoningThe RecoveryThe RembrandtSouls BelatedThe Triumph of NightThe Twilight of the GodA Venetian Night's EntertainmentThe VerdictXingu Poetry:Artemis to Actaeon, and Other VersesBotticelli's Madonna in the LouvreThe SonnetThis collection was designed for optimal navigation on Kindle and other electronic devices. It is indexed alphabetically, chronologically and by categor! y, making it easier to access individual books, stories and po! ems. Thi s collection offers lower price, the convenience of a one-time download, and it reduces the clutter in your digital library. All books included in this collection feature a hyperlinked table of contents and footnotes. The collection is complimented by an author biography. Table of Contents List of Works by Genre and TitleList of Works in Alphabetical OrderList of Works in Chronological OrderEdith Wharton Biography Novels:The Age of InnocenceThe Bunner SistersThe Custom of the CountryEthan FromeThe Fruit of the TreeThe Glimpses of the MoonThe House of MirthThe ReefSanctuarySummerThe TouchstoneThe Valley of Decision Non-Fiction:Fighting FranceIn Morocco Short Stories Collections:Crucial InstancesThe Descent of Man and Other StoriesThe Greater InclinationThe Hermit and the Wild WomanTales of Men and Ghosts Short Stories:AfterwardThe Angel at the GraveAutres TempsThe Best ManThe Blond BeastThe Bolted DoorThe ChoiceComing HomeThe Confessional"Copy" A DialogueA CowardA Cup of Cold! WaterThe Daunt DianaThe DebtThe Descent of ManThe DilettanteThe Duchess at PrayerThe EyesExpiationFull CircleThe Fulness of LifeThe Hermit and the Wild WomanHis Father's SonThe House of The Dead HandIn TrustA JourneyKerfolThe Lady's Maid's BellThe Last AssetThe LegendThe LetterThe LettersThe Long RunMadame de TreymesThe Mission of JaneThe Moving FingerMrs. Manstey's ViewThe Muse's TragedyThe Other TwoThe PelicanThe PortraitThe Pot-BoilerThe PretextThe QuicksandThe ReckoningThe RecoveryThe RembrandtSouls BelatedThe Triumph of NightThe Twilight of the GodA Venetian Night's EntertainmentThe VerdictXingu Poetry:Artemis to Actaeon, and Other VersesBotticelli's Madonna in the LouvreThe SonnetThe original CliffsNotes study guides offer expert commentary on major themes, plots, characters, literary devices, and historical background. The latest generation of titles in this series also feature glossaries and visual elements that complement the classic, familiar format.

CliffsN! otes on The House of Mirth takes you into the waning years! of the Gilded Age and the moral bankruptcy of New York City's elite class. Edith Wharton's story of a woman â€" whose beauty causes men to desire to possess her and women to be jealous of her â€" reflects the complicated struggle of the individual against the social strictures of a powerful, and triumphant, moneyed class.

This concise supplement to the satirically critical The House of Mirth, helps you understand the overall structure of the novel, actions and motivations of the characters, and the social and cultural perspectives of the author. Features that help you study include

• Chapter-by-chapter summaries and commentaries
• A character map that outline key characteristics and relationships
• Insightful character analyses
• A critical essay about the opulence and emptiness of the Gilded Age
• A review section that tests your knowledge

Classic literature or modern modern-day treasure â€" you'll understand it all with expert information and insight from! CliffsNotes study guides.

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Fame

• Sevenes a day and a hot lunch. That's what New York City's High School for the Performing Arts guarantees. Stardom? That's something the school's teenage musicians, actors, dancers and dreamers strive for.Fame sings the body electric, celebrating the growing-up process of honing talent, confronting realities, finding love, living life. Director Alan Parker (Evita, The Commitments) brings an energe

Seven classes a day and a hot lunch. That's what New York City's High School for the Performing Arts guarantees. Stardom? That's something the school's teenage musicians, actors, dancers and dreamers strive for. Fame sings the body electric, celebrating the growing-up process of honing talent, confronting realities, finding love, living life. Director Alan Parker (Evita, The Commitments) brings an energetic style to the crisscrossing stories of students (including future Academy Award winner Iren! e Cara, Paul McCrane (ER), Barry Miller (Saturday Night Fever) and two who returned in the later TV series, Gene Anthony Ray and Lee Curreri). Nominated for six Academy Awards, Fame won Oscars for its dynamic score and title tune.This early effort by director Alan Parker is lively but jagged as it follows four students through their years in the New York City High School for the Performing Arts. Rather predictably, the kids fall into four clearly defined stereotypes: brazen, gay and hypersensitive, prickly, shy. It makes up for a disjointed presentation with a lot of heart and a great soundtrack (for which it won two Academy Awards). The hopes and disappointments, failures and successes of these teens are fodder for emotional scenes and exuberant dancing in the streets. It also turned out to be the first of many imitators and spawned a popular television series. (It was the breakout film for the short-lived feature film career of Irene Cara, who sang the title song.) --R! ochelle O'Gorman

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